So, it’s a while since I bothered with a website or blog… and it doesn’t appear I currently get any useful hosting services from my ISP (probably why they’re cheap) so here I am, on wordpress.com!
“But, whyyyyyy?” I hear you ask. Well, over the last few months I’ve been rediscovering my love for cinema (or film, if you prefer). Along the way I’ve found myself getting involved in some old arguments again such as “Is it fair to refer to Uma Thurman as androgynous?”, “How do we define androgyny?” and “Do we impose our own understanding of gender on the screen or is it imposed on us, by the film – or the industry?”
Firstly, in reference to the Uma Thurman question, personally, I don’t think it is fair. But it’s interesting how often I hear it or how shocked people seem to feel when I disagree. It’s made me wonder if there’s simply a film I haven’t seen or if my understanding/idea of gender and androgyny are somewhat out of sync – and if so, why? However, I don’t at all intend to deal with any of this immediately.
I’ve been far more interested, to be honest, in the films of Dario Argento. Over the last 2-3 weeks I’ve watched everything he has directed (excluding The Five Days (1973)) from The Bird with the Crystal Plumage (1970), to Opera (1987). Argento is a fascinating director, one that I would recommend to anyone interested in watching good films. Perhaps it isn’t a coincidence I find him so interesting, when two of his key themes are the relationship between the audience and the film and also gender.
For now though, I desperately need a cuppa. So I’m off to put the kettle on and read another essay methinks.
Oh, also. If anyone’s interested in a recommendation, if you haven’t already seen Peeping Tom (1960) I strongly urge you to.
Here’s the trailer: